Japan Hojicha AssociationJapan Hojicha Association

Tea gets more interesting with roasting.

Roasting and hiire: the same fire, two different processes

Chapter 5 · 5 of 5 sections readable now

Close-up illustration of roasted tea leaves with golden lines representing the rising aroma.

What separates them is not temperature. Time alone cannot draw the line either; what divides their purpose and their evaluation is the stage at which the fire arrives.

01

How hojicha is made: sorting tea names by what each one describes

Do the five names on a tea shelf point at the same kind of thing? This piece follows the layers they belong to — a method, a part of the plant, something added — and the two fires of the finishing stage.

Illustration of roasted leaf, thin roasted stems and genmaicha with toasted rice on three small dishes, with a small teapot behind.

On a shop shelf stand packets of sencha, bancha, kukicha, genmaicha and hojicha. Five names make them look like five different drinks. Turn a packet over, though, and the ingredients panel may say only "green tea". Five names, and one thing underneath.

What follows looks at what each name is pointing at, and then at the fires that arrive while tea is being finished.

Different names at the same height

Pick the packets up and they all weigh about the same in the hand. Yet the five names do not sit at the same level at all.

Each name points at a different layer. One names a method, one a part of the plant, one something added, and all three kinds are mixed together on one shelf. A name says which layer it belongs to, and no more. What those layers hold comes next.

Roasting, stems, toasted rice

Look into a packet of genmaicha and round grains show between the leaves. Hojicha names a method, kukicha a part of the plant, genmaicha something added.

Going by the national government's account, hojicha is named for roasting, kukicha for the stem, genmaicha for toasted brown rice. Because the layers differ, a hojicha made from stems is a perfectly sound combination. The fire in the name hojicha is one that arrives after the tea is already made.

The industry's labelling rules also write down the method and nothing else. Tea roasted over a strong fire, they say, with no line limiting the raw material to bancha. The tea roasted in research has been first-flush stems. The documents take us as far as the wording of the definition; next comes where the fire falls in the process.

A fire at the start, a fire at the end

At the end of the shelf sits a packet of kamairicha, pan-fired tea. The idea of firing in a pan catches the eye, much as it does on hojicha. The word may be shared, but the fire falls at a different point.

In kamairicha the fire comes at the very beginning of the making. That heat is what stops the enzymes working in the leaf. The roasting fire of hojicha comes again, once the tea is already finished.

What the sources establish is a difference of position in the process, nothing more. On the finishing side, one more fire is waiting.

One more fire on the finishing shelf

At the back of the businesses that finish and sell tea, there is a fire for drying aracha a second time. Hiire, the finishing fire, sits on the same shelf as roasting.

Hiire dries aracha, the unrefined tea, once more and brings up its aroma. It even has a target moisture figure, which the chapter on where hiire ends and roasting begins sets out. A national research institute describes finishing aracha as three steps: sorting, hiire and blending. The factories that do it belong mostly not to growers but to the people who sell tea.

Roasting and hiire overlap in temperature as well. They are still called separate processes because the time taken, the purpose and the way each is judged all differ. The differences in purpose and judgement come from the stage at which the fire arrives.

The sources show that these are the axes of difference, and that is as far as they go. The figures and where they come from are gathered at the end.

The numbers in detail

Layers of names
The division follows the Ministry of Agriculture, Forestry and Fisheries. Hojicha names a method (roasting), kukicha a part of the plant (the stem), genmaicha something added (roasted brown rice).
Labelling rules
The implementing rules of the Japan Tea Central Association's Green tea labelling standard define hojicha as "tea manufactured by roasting sencha, bancha and the like over a strong fire". No line restricts the raw material to bancha.
Stem trial
What the 2020 Ishikawa trial roasted was stems of first-flush tea from Kagoshima Prefecture.
Kamairicha
Made mainly in Kyushu; its fire comes at the very start of manufacture and stops the enzymes in the leaf.
Three refining steps
An account by the National Institute of Vegetable and Tea Science (NARO) treats the refining of aracha as sorting, hiire and blending. It notes that most refining factories belong to tea distributors.
Moisture target
The moisture figure hiire aims for is given in "Hiire vs hojicha roasting: where the line between firing and roasting falls".

Updated 17 October 2026This section on its own page

02Members only

How hojicha is roasted: amino acids and sugar turning into aroma

Put dry leaf over a flame and the smell of the room changes. This piece follows where that toastiness comes from, what is formed, what is lost, and which aromas take over as the temperature changes.

Put dry leaf over a low flame and for a while nothing happens. Then, quite suddenly, the room smells different. The green note pulls back and a toasted one rises. It is not the smell that came out of the packet.

What follows looks in turn at the makings of that toastiness, what is formed, what is lost, and how the aromas change places with temperature.

The toastiness was in the leaf

Each turn of the wooden spatula makes the toasted smell a little deeper. Its makings were inside the leaf all along.

The compounds that carried umami and sweetness turn into other things under heat. Nothing has been added from outside. The sources can say where the materials come from, and that is all. What heat forms out of them is the next part of the story.

A crowd of new aromas

Lean close to freshly roasted leaf and the aroma arrives in many layers at once. Roasted tea holds more than eighty compounds that were not in the leaf before.

A family of compounds formed when sugars and amino acids join under heat makes up most of the aroma. New compounds were also born from the source of umami together with sugars. The temperatures and times used in the research are tabled in the chapter that checks roasting temperatures.

The research names what was formed and stops there. Behind the new aromas, some things are being lost.

The three sections that remain cover the savoury and sweet sources that fade as aroma is made, the caffeine that barely moves, and aromas that trade places at a heat threshold. Conditions and sources close the piece.

The rest of this article is for members.

Membership is available in Japanese. It takes an email address and a password, and it is free.

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Updated 17 October 2026This section on its own page

03

Oolong and roasted black tea: the fire that arrives after drying

On the next shelf in the same shop sit more brown, roasted leaves. This piece follows the second fire given to oolong and roasted black tea: where it falls, what it is for, how long it lasts, and where the aroma goes.

An illustration of rolled oolong leaves on two small white dishes, one lightly roasted green-brown and the other deeply roasted dark brown, beside a woven bamboo roasting basket.

On another shelf in the same shop stand oolong and black tea. Pick up a packet and fire turns up in the wording here too: roasted, baked, hongbei. The leaf is a brown much like hojicha's. A few steps along, and the same words are attached to tea from another country.

What follows looks in turn at where the fire falls, what it is for, how long it takes, and where the aroma ends up.

A second fire, after drying

Pinch the brown leaf and it is light and dry, much like hojicha. Oolong and roasted black tea both meet fire again after they have dried.

Set the processes side by side and both give dried leaf a second fire. Compare the times, though, and the charcoal roasting of rock tea runs orders of magnitude longer than hojicha's. The sources agree on where the fire falls, and not much more. First, the making of oolong from across the sea.

Drying, and drying again

Read a process chart from the top and the word drying keeps coming back. In oolong, the fire returns after the leaf has dried.

The oolong described by a tea research body across the sea is withered, fixed by heat, dried and rolled into balls. Last comes drying and roasting, the same shape as Japanese hiire.

Nor is there only one purpose. The same body lists making the tea keep longer, correcting green or unwanted notes, and giving the tea its own aroma. The sources set out the aims and leave it there. After purpose comes time over the fire.

Fires counted in seconds, fires counted in hours

Descriptions of charcoal-roasted rock tea give the time in hours. Against hojicha, the difference is one of orders of magnitude.

A shop selling the tea says that a single charcoal roast of rock tea takes close to half a day. Repeat it, and the total grows longer still. Hojicha roasting, in laboratory trials, lives in seconds and minutes.

The sources let a shop's account and a trial's figures sit side by side, and no more. After time, the black tea shelf.

Figure 5-3-1Where the fire after drying comes, and how long it takes

Tea and processOrder of the processTime takenSource
Hojicha roastingsencha or bancha, already fired, is roasted40–420 seconds (10 minutes or more in an industry body's account)Sasaki et al. 2020 / GJTA (an industry body)
Japanese sencha hiirearacha → sorting → hiire → blending20 minutes to 5 hours (three types of hiire machine)Yamaguchi 2006 (process) / Shiono 1974 (time)
Taiwanese Dong Ding oolongsun withering, indoor withering → heat fixation → initial drying → ball rolling → drying and roasting (hongbei)not statedTea and Beverage Research Station, Ministry of Agriculture (Taiwan)
Black tea (roasted black tea)withering → rolling → oxidation → drying → (roasted black tea only) roastingnot statedChanomi Tsuruen (process) / Senrei, Makinohara Yamamotoen (product descriptions)
Charcoal roasting of Wuyi rock tea (Fujian, China)not stated8–12 hours per roast, up to 36 hours in total over several roastsPath of Cha (a tea retailer)
The process in which fire is applied again after drying, set out tea by tea. Times are only the values written in the sources, with no conversions or estimates. Between the far ends (40 seconds and 5 hours) there are two orders of magnitude. Add the industry body's "10 minutes or more" and the 10 to 15 minutes of a 1999 study (Figure 5-4-1), though, and roasting comes close to the 20 to 25 minutes of air-through hiire: time alone cannot draw the line. "(Roasted black tea only)" rests on product descriptions and is not a stage of black tea manufacture in general. The "10 minutes or more" for hojicha and the times for Wuyi rock tea come from interested parties (an industry body and a tea retailer). Sources: Sasaki et al. (2020); GJTA; Yamaguchi Y. (2006); Shiono T. (1974); Tea and Beverage Research Station, Ministry of Agriculture (Taiwan); Chanomi Tsuruen; Senrei; Makinohara Yamamotoen; Path of Cha (2019).

Roasted black tea and the scent of fruit

The black tea shelf has its own packets marked roasted. A scorched smell is not the only place roasting can lead.

Roasted black tea is finished black tea given one more fire. Black tea is already dried with hot air in the making, so this roast is not its first fire. One tea farm roasts summer-picked black tea and speaks of a rich sweetness and a roasted aroma. Another roasts hard and says the result carries a sweet scent like peach and grape.

The reactions belong to the same family as those that make hojicha's aroma. A report on roasting rock tea says the roasted aroma moves towards a floral one while the tea is stored. The cultivars and processes differ, though, so the figures cannot simply be carried across.

What the word roasting means from one shop to the next is taken up in the following chapter. The figures and where they come from are gathered at the end.

The numbers in detail

Taiwanese oolong
Dong Ding oolong, as described by Taiwan's Tea and Beverage Research Station, Ministry of Agriculture. Withering, heat fixation, initial drying and ball rolling end in drying and roasting (hongbei).
Process table
Where the post-drying fire falls for each tea is set out in Figure 5-3-1.
Aims of hongbei
From the same station's account of specialty teas: extending storage life, correcting green and unwanted notes left in the initially processed tea, and giving the tea its own aroma.
Rock tea times
The charcoal roasting of Wuyi rock tea (Fujian, China) comes from a tea retailer's account. One roast takes 8 to 12 hours; several total up to 36 hours.
Hojicha times
Hojicha roasting ran from 40 to 420 seconds in the Ishikawa trial.
Black tea drying
That black tea is dried with high-temperature hot air comes from The Tea Crane.
Two tea farms
Senrei, in Kamikawa, Hyogo, roasts summer-picked black tea. Makinohara Yamamotoen roasts Benifuuki hard and describes a peach-and-grape aroma.
Shifting aroma
A 2022 report on roasting Wuyi rock tea states that the roasted aroma shifts towards a floral one during storage.

Updated 17 October 2026This section on its own page

04Members only

Tea roasting temperature: what 180°C, 200°C and 220°C actually measured

When hojicha is said to be roasted over a strong fire, where is that heat measured? This piece follows what a study at three temperatures established, and where its numbers were actually taken.

An illustration of three small white dishes of stem tea roasted to different depths, from pale yellow-green to a reddish brown, in front of a small drum roaster, with an infrared thermometer bearing no markings beside them.

Descriptions of hojicha talk about how strong the fire is. Over a strong flame. High heat, all at once. Few of them give a number. The numbers are in the research, in a report that roasted stem tea at three temperatures.

What follows looks in turn at what was established, where the temperature was taken, the sample and conditions, the taste compounds, and how such numbers can be compared.

The hotter, the toastier

Inside the sound of a turning drum, the leaf shifts colour little by little. Within the range tested, the higher the heat, the more toasty compounds formed, and the colour moved from yellow-green towards yellow-red.

The toasty compounds all came out higher at the higher temperatures. The colour drifted from the green side towards the red. What was not established is how hot the leaf itself became. Where that temperature was taken is the next question.

What was hot was the inside of the drum

The inside of a turning drum gets too hot to hold a hand near. The report's temperature belongs to the inner surface of the drum, not to the leaf.

The researchers read the drum's inner surface with an infrared thermometer. Other reports measured in other places, and some do not say where at all. How the measuring points differ is set out in this section's table.

The sources tell us which part of the machine was measured, and that is where they stop. Next, the stems that were roasted and how.

Figure 5-4-1Roasting and hiire temperatures are measured in different places from source to source

Source (year)TemperatureWhat the temperature was measured onTime
Shiono 1974, tray type65°Cexhaust temperature5 hours
Japan Tea Central Association, Green tea labelling standard, appendixhiire 70–130°C / roasting 140°C or abovenot statednot stated
Shiono 1974, air-through type90–110°Cinternal temperature20–25 minutes
Takahashi 2015around 100°C (80°C for higher grades)not stated30–40 minutes
Kochi Prefecture (Table 1, 2013)exhaust temperature 100°C at the second roasting (the same for light, medium and dark)exhaust temperaturenot stated
NARO 2015100 / 115 / 130°Cleaf surface temperaturenot stated
Kawakami 1999150 / 130 / 100°Cnot stated12 min / 10 min / 15 min
Shiono 1974, drum-over-fire type140–150°Cexhaust temperature40–60 minutes
Hara 1970160–180°Cdrum inner wall temperaturenot stated
Sasaki et al. 2020180 / 200 / 220°Cdrum inner surface temperature (infrared thermometer)40–420 seconds
GJTA (an industry body)200°Cnot stated10 minutes or more
Temperature, place of measurement and time for roasting and for hiire, source by source, from the lower temperatures to the higher. "Not stated" means the source does not say; nothing has been estimated to fill it. The time column carries only the values written in the sources, with no conversions. The labelling standard row is not a definition of tea types but a worked list for sorting out who is responsible for the labelling. The Kochi Prefecture row has no time; the report records only exhaust temperature and rotation speed (first-flush tea was separated by drum speeds of 17 / 12 / 8 rpm; the first roasting was at an exhaust temperature of 90°C and 22 rpm). GJTA (Global Japanese Tea Association) is an industry body's account. Sources: Shiono T. (1974); Takahashi J. (2015); Tea Research Station, Kochi Prefectural Agricultural Technology Center (data for 2013); NARO National Institute of Vegetable and Tea Science (2015); Hara T. and Kubota E. (1970); Kawakami M. and Yamanishi T. (1999); Sasaki et al. (2020); Japan Tea Central Association, Green tea labelling standard (last amended 2026); GJTA.

The four sections that remain follow a trial that roasted for less time at higher heat, the shift in colour, how fast amino acids fell, and why only numbers taken in one place belong together. Figures close the piece.

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Updated 17 October 2026This section on its own page

05Members only

Hiire vs hojicha roasting: where the line between firing and roasting falls

The back of a packet never gives a roasting temperature. This piece follows the border between hiire and roasting through temperature, time, purpose, judgement and machinery, to see where a line can be drawn.

An illustration of green aracha spread in a shallow wooden tray on the left and brown roasted leaf in a horoku on the right, with an hourglass and two white teacups in front.

Read the back of a packet from the top: name, ingredients, net weight, best-before date. The roasting temperature appears nowhere. The figures are in the industry's own documents, where roasting and hiire temperatures sit on rows far apart. Because of those rows, one temperature looks like the border.

What follows asks whether that border lies in temperature, time, purpose or judgement, taking each in turn.

A line the thermometer cannot draw

Turn to the appendix and roasting and hiire sit on separate rows of a table. The border cannot be drawn on the temperature scale.

That appendix is not a document defining kinds of tea. It is a set of examples for sorting out who is responsible for a label, and it names neither the equipment nor where the temperature was taken. An old public trial called heating at a roasting-side temperature hiire. A study has also made hojicha at a temperature on the hiire side.

The sources show that the temperature is not the line, and no more. After temperature, the easiest difference to see is time.

The line is the stage the fire meets

Pour hojicha and the smell of fire rides up on the steam. The line is drawn not by time or temperature but by the stage at which the fire arrives.

Of the three, time shows the difference most readily. Laboratory roasting is counted in seconds, hiire in minutes or hours. There are long roasts too, though, so time alone cannot draw the line.

Purpose and judgement cannot be compared head-on, because they belong to different stages. That difference of stage was itself the line. Hiire meets aracha before it is finished; the roasting fire meets sencha and bancha that have already had their hiire.

The same fire aroma is marked down at the earlier stage and sold at the later one. The packet writes that fire as light roast or dark roast, and whether a shared standard lies behind those words is taken up in the next chapter. The sources place the line at the stage, and stop there. Time, purpose and judgement follow in that order.

The five sections that remain show how firing times overlap, how one fire aims at moisture, how the same fire aroma is marked down or prized by stage, and how catalogues list the machines. Figures close the piece.

The rest of this article is for members.

Membership is available in Japanese. It takes an email address and a password, and it is free.

Open the Japanese membership page

Updated 17 October 2026This section on its own page

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